Minimalist neo-Chinese aesthetic style. The image is on a soft gray-white base, presenting a paper-cut silhouette-like 3D feel.
An S-shaped winding crack-like edge cuts the picture as if a layer of paper is torn open, revealing a colorful Eastern landscape inside.
Within the tear, a winding river runs from top to bottom through the entire composition, rendered in shades of blue with clear layers, like a flowing ribbon.
On both banks of the river, lush hills and terraced fields are dotted with soft colors — green and red interwoven — showing the tranquil beauty of pastoral life.
Classical-style buildings line the river, with flying eaves and curved corners, white walls and dark tiles, looking even more antique and elegant under the play of light.
Lush trees grow on the banks; a small boat rests quietly midstream, adding a sense of leisurely mood.
The overall composition follows an S-curve with rhythmic feel, suggesting harmony between nature and humanity.
The edges of the painting use a torn-paper effect, creating a 3D embossed visual experience.
Below, the inscription 'Eastern Aesthetics' is written in black regular script; the date '2026/04/18' echoes a red seal; the bottom 'CHINA' is bold and prominent; the signature '@LIYUE' closes things subtly. Overall: quiet, deep, full of poetry and reflection.